Production of solid dosage forms in the WST-222 high-shear mixer and fluidized bed dryer.
Published on 24/07/2023
Joining Ciba-Geigy was a demotion of sorts for Monika Stocker, if only geographically. She had spent the winter of 1986–1987 working as a service employee high up in the Swiss Alps, always in the fresh air and constantly on her feet. Back in the lowlands, she then sat for eight hours a day in the windowless basement of Building 110, where some 50 women checked ampoules.
“I’ll do that for six months at most,” she said on the evening of her first day on the job. “Sitting all the time, I can’t stand it.” Her discomfort was noticed quickly and her superiors were aware that Monika Stocker preferred to be on her feet rather than in a chair.
Just two months later, she switched to the contact lens cleanroom facility, and, two years down the road, she moved to the second floor, where the filling facility for ampoules is located. After a series of manufacturing jobs, however, Monika Stocker finally worked in the office until her retirement in 2021.
Was everything better in the past?
When asked about the wealth of experience she gained over more than 30 years in Stein, she is happy to provide information.
Was it better in the past than it is today, less stressful? “No, I wouldn’t call it better. During my time in production, I experienced many difficult situations. But we usually weathered the stormy times. Perhaps the camaraderie used to be a bit stronger, with more parties and events outside of work, but the physical strain decreased because a lot of things have been automated.”
What changed markedly, though, were the increased requirements for documentation and safety, Monika Stocker tells us. “Where once only a few pages were enough to document processes, later there were often mountains of paper piled up next to the equipment.”
Safety was also steadily improved. Monika Stocker has brought back photos from the 1980s and 1990s. There are three female colleagues sitting together in their protective clothing and smiling into the camera. “We also wore the bonnets for decoration back then,” she says. “For us, it was like a fashion accessory. Today, no one thinks that the protective clothing could have anything to do with fashion.”